Introduction to Film Studies


Lecture 1 - Course Overview


Lecture 2 - Cinema & Semiotics


Lecture 3 - Cinema & Semiotics (Continued...)


Lecture 4 - Plot in Cinema


Lecture 5 - Plot in Cinema (Continued...)


Lecture 6 - Character as a plot element


Lecture 7 - Editing in Cinema


Lecture 8 - Realism in Cinema


Lecture 9 - Colour : Theory & Practice


Lecture 10 - Intertextuality


Lecture 11 - Intertextuality (Continued...)


Lecture 12 - Intertextuality (Continued...)


Lecture 13 - Cinema & Modernism


Lecture 14 - Cinema and Modernism (Continued...)


Lecture 15 - The French Masters


Lecture 16 - The French Masters (Continued...)


Lecture 17 - The French Masters (Continued...)


Lecture 18 - Canonical Text


Lecture 19 - Canonical Text (Continued...)


Lecture 20 - Canonical Text (Continued...)


Lecture 21 - The Academy Awards


Lecture 22 - Classic Hollywood


Lecture 23 - Classic Hollywood (Continued...)


Lecture 24 - Classic Hollywood (Continued...)


Lecture 25 - Case study


Lecture 26 - Stars as Icons


Lecture 27 - Cinema and the Counterculture Movement


Lecture 28 - Italian cinema


Lecture 29 - Japanese Cinema


Lecture 30 - Auteur Theory in the USA


Lecture 31 - Auteur Theory in the USA (Continued...)


Lecture 32 - New Hollywood


Lecture 33 - New Hollywood (Continued...)


Lecture 34 - New Hollywood (Continued...)


Lecture 35 - New Hollywood (Continued...)


Lecture 36 - Cinema and Genres


Lecture 37 - Cinema and Genres (Continued...)


Lecture 38 - Postmodernism and Cinema


Lecture 39 - Postmodernism & Cinema (Continued...)


Lecture 40 - The Western