Introduction to Film Studies (2019)


Lecture 1 - Course Overview - Part 1


Lecture 2 - Course Overview - Part 2


Lecture 3 - Cinema and Semiotics - Part 1


Lecture 4 - Cinema and Semiotics - Part 2


Lecture 5 - Cinema and Semiotics - Seven (1995) - Part 1


Lecture 6 - Cinema and Semiotics - Seven (1995) - Part 2


Lecture 7 - Plot in Cinema - Part 1


Lecture 8 - Plot in Cinema - Part 2


Lecture 9 - Plot in CInema - 7 primary types of plot


Lecture 10 - Plot in Cinema - Conflict as a Plot Element


Lecture 11 - Character as a Plot Element - Part 1


Lecture 12 - Character as a Plot Element - Part 2


Lecture 13 - Editing in Cinema - (Montage, Jumpcut) - Part 1


Lecture 14 - Editing in Cinema - (Montage, Jumpcut) - Part 2


Lecture 15 - Realism in Cinema - Part 1


Lecture 16 - Realism in Cinema - Part 2


Lecture 17 - Colour: Theory and Practice - Part 1


Lecture 18 - Colour: Theory and Practice - Part 2


Lecture 19 - Intertextuality - Casablanca (1942) - Part 1


Lecture 20 - Intertextuality - Casablanca (1942) - Part 2


Lecture 21 - Intertextuality - Blade Runner (1982) - Part 1


Lecture 22 - Intertextuality - Blade Runner (1982) - Part 2


Lecture 23 - Intertextuality - The Matrix (1999) - Part 1


Lecture 24 - Intertextuality - The Matrix (1999) - Part 2


Lecture 25 - Cinema and Modernism - Part 1


Lecture 26 - Cinema and Modernism - Part 2


Lecture 27 - Cinema and Modernism - Part 3


Lecture 28 - Guest Lecture by Sudhish Kamath (Film Critic and Film Maker)


Lecture 29 - The French Masters - Jean Renoir - Part 1


Lecture 30 - The French Masters - Jean Renoir - Part 2


Lecture 31 - The French Masters - Robert Bresson - Part 1


Lecture 32 - The French Masters - Robert Bresson - Part 2


Lecture 33 - The French Masters - Robert Bresson - Part 3


Lecture 34 - What is a Canon?


Lecture 35 - Canonical Text - Citizen Kane (1941) - Part 1


Lecture 36 - Canonical Text - Citizen Kane (1941) - Part 2


Lecture 37 - Canonical Text - The Godfather (1972/1974) Part 1


Lecture 38 - Canonical Text - The Godfather (1972/1974) Part 2


Lecture 39 - Canonical Text - The Godfather (1972/1974) Part 3


Lecture 40 - Canonical Text - The Godfather (1972/1974) Part 4


Lecture 41 - The Academy Awards Case Study - My Left Foot (1989) and Daniel Day-Lewis Method Acting - Part 1


Lecture 42 - The Academy Awards Case Study - My Left Foot (1989) and Daniel Day-Lewis Method Acting - Part 2


Lecture 43 - Classic Hollywood - Hay’s Code, Studio Years, Major Filmmakers - Part 1


Lecture 44 - Classic Hollywood - Hay’s Code, Studio Years, Major Filmmakers - Part 2


Lecture 45 - Classic Hollywood - Major Filmmakers, Melodrama - Part 1


Lecture 46 - Classic Hollywood - Major Filmmakers, Melodrama - Part 2


Lecture 47 - Classic Hollywood - Major Filmmakers, Melodrama - Part 3


Lecture 48 - Classic Hollywood - Major Filmmakers, Melodrama - Part 4


Lecture 49 - German Expressionism, Film Noir Case Study: Laura (1944) and Neo Noir Case Study: Taxi Driver (1976) - Part 1


Lecture 50 - German Expressionism, Film Noir Case Study: Laura (1944) and Neo Noir Case Study: Taxi Driver (1976) - Part 2


Lecture 51 - Stars as Icons, Case Study of the Stardom of James Dean and Fandoms - Part 1


Lecture 52 - Stars as Icons, Case Study of the Stardom of James Dean and Fandoms - Part 2


Lecture 53 - Cinema and the Counterculture Movement - Beat Generation, Woodstock Nation, Easy Rider (1968) - Part 1


Lecture 54 - Cinema and the Counterculture Movement - Beat Generation, Woodstock Nation, Easy Rider (1968) - Part 2


Lecture 55 - Italian Cinema - Part 1


Lecture 56 - Italian Cinema - Part 2


Lecture 57 - Japanese Cinema - Part 1


Lecture 58 - Japanese Cinema - Part 2


Lecture 59 - Auteur Theory in the USA - Part 1


Lecture 60 - Auteur Theory in the USA - Part 2


Lecture 61 - Auteur Theory in the USA - Part 3


Lecture 62 - Auteur Theory in the USA - Part 4


Lecture 63 - New Hollywood - Part 1


Lecture 64 - New Hollywood - Part 2


Lecture 65 - New Hollywood - Part 3


Lecture 66 - New Hollywood - Part 4


Lecture 67 - New Hollywood - Part 5


Lecture 68 - New Hollywood - Part 6


Lecture 69 - New Hollywood - Part 7


Lecture 70 - New Hollywood - Part 8


Lecture 71 - Cinema and Genres - Part 1


Lecture 72 - Cinema and Genres - Part 2


Lecture 73 - Cinema and Genres - Part 3


Lecture 74 - Cinema and Genres - Part 4


Lecture 75 - Postmodernism and Cinema - Part 1


Lecture 76 - Postmodernism and Cinema - Part 2


Lecture 77 - Postmodernism and Cinema - Part 3


Lecture 78 - Postmodernism and Cinema - Part 4


Lecture 79 - The Western - Part 1


Lecture 80 - The Western - Part 2